The fat one.

For those of you who have seen the movie at least 3 times or more and remember each scene, here's a copy of the script that I'm sure you'll enjoy reading. I actually gained more insight into Tarantino's story by reading the script.

 

Was that because when somewhere is 30 minutes away you can be there in 10!!??

Must admit sometimes when I have my car cleaned at the car wash I say "fine job gentlemen" in a Winston Wolf kind of way to the guys cleaning the car.They must think Im a bit mad!

 

Ahhhh, No. It was from this instance:

https://rennlist.com/forums/showpost...2&postcount=10

https://rennlist.com/forums/showpost...1&postcount=11

 

this thread is still alive?

 

The guy wearing the hat in your signature may hold a clue.

 

"The one that says Bad Mother F***er" on it"

I thought Samuel L Jackson stole the show in that flick but kudos to Travolta (started his comeback,though obviously not physically) and Willis. Thurman was at her best. Rhames was OK, but many tough guys could do his part as well IMO.

The banter between Travolta and Jackson was fabulous. Keitel was great but I loved him in Resivior Dogs.

As you read the script and watch the move there is some great ad libbing in the shots.

"Do you know why there's no sign that says Dead N Storage in front of my house?"

 

My fav bit is after Marsellus shoots Z and Butch asks him "You OK?",to which he replies"Nar man-I'm pretty f***in far from OK".Come to think of it the guy on Bens avatar looks a bit like Maynard!!

 

"If that MF is in Indochina I want a N in his bowl of rice to pop out and put a cap in his ***"

"Mr. Rapist, I'm gonna call some of my homies, pipe-hittin N to come with a pliers and blow torch to end your miserable existance"

"What about you and me?" "There ain't no you and me"

"Your L.A. privliges are revoked!"

Yeah, Rhames had some great lines too. That movie/script was Tarentino's best by far IMHO

 

Yeah, great lines by Rhames.

But that exchange between Butch and him after Butch sets him free is classic.

It actually went like this (using my cheat sheet):

BUTCH
You okay?

MARSELLUS
Naw man. I'm pretty ****in' far
from okay!

Long pause.

BUTCH
What now?

MARSELLUS
What now? Well let me tell you
what now. I'm gonna call a couple
pipe-hittin' ******s, who'll go to
work on homes here with a pair of
pliers and a blow torch.
(to Zed)
Hear me talkin' hillbilly boy?! I
ain't through with you by a damn
sight. I'm gonna git Medieval on
yo ***.

BUTCH
I meant what now, between me and
you?

MARSELLUS
Oh, that what now? Well, let me
tell ya what now between me an'
you. There is no me an' you. Not
no more.

BUTCH
So we're cool?

MARSELLUS
Yeah man, we're cool. One thing I
ask -- two things I ask: don't
tell nobody about this. This
****'s between me and you and the
soon-to-be-livin'-the-rest-of-his-
short-***-life-in-agonizing-pain,
Mr. Rapist here. It ain't nobody
else's business. Two: leave town.
Tonight. Right now. And when
you're gone, stay gone. You've
lost your LA privileges.
Deal?

BUTCH
Deal.

Yeah, there was either quite a bit of ad-libbing during the shoot or they just polished up the dialogue during each take.

 

I came to LA just to have a Royale with chese [its a fat burger btw]

 

What about, "I'm gonna get medievil on yo ***."

 

Personally my favorite part of the whole movie is Christopher Walken talking about hiding that watch up his ***...that scene makes me laugh my *** off every time.

 

Yeah, that was also great casting to use Walken for that scene, with his typical delivery style. The way he says "***" with a wide open mouth holding the watch between his index finger and thumb and holding it up plainly for Butch to see.

This is also one of my favorite lines from Rhames: "This ****'s between me and you and the soon-to-be-livin'-the-rest-of-his-short-***-life-in-agonizing-pain, Mr. Rapist here."

Or when he says to Butch before the fight: "You're gonna feel a stinging pain right here... but that's just PRIDE ****in' with your mind......**** pride."

What made Rhames great for the part was his delivery cadence that only he could do, which made his lines work so well.

The casting for the movie was a work of genius. You gotta give Tarentino credit for that.

Everytime I see it's on HBO or one of the movie channels I make it a point to watch it. Hell, I should just buy the *********in' CD and be done with it.

 

i thought the funniest part was in the car when they hit the bump and travolta accidently blows the guys head off!
not normally something humorous but they managed to do a good job of making it funny in the movie!

 

Wow, we are on quite a Pulp Fiction tangent here (great movie). Jeff, in reference to your current avatar, do you know the name of the movie in which Roman Polanski says to Jack:

"Next time I'll cut off your nose and feed it to my goldfish."